Himachal Pradesh Board Music (Hindustani Vocal) Syllabus for Class 11


Himachal Pradesh Board Syllabus for Class 11 Music (Hindustani Vocal)

(A) Hindustani (Vocal)


I. Theory
Time: 3 hours
Maximum Marks: 30

1. Definition of the following :—
Nad, Shruti, Svara, Raga, Mela (Thata) Classification of ragas, Anibadha-Nibadha-gana.

2. Description of the ragas prescribed for Class XI.

3. Contribution and short life sketch of Tansen, Sadaranga Pt. Bhartkhande and Pt. Vishnu Digamber Paluskar.

4. Brief history of Dhrupada and Khyal.

5. Writing in Notation of songs and Taals prescribed for Class XI.

II. Practical Paper
Maximum Marks: 70

1. (a) One Drut Khayal with simple elaborations in the following ragas :
Alhaiyya—Bilawal, Durga, Jounpuri, Malkauns.

(b) One Dhurapat, One Swarmalika and one Lakshan geet in any of the prescribed Ragas.

(c) One composition in the Raga Kaafi.

2. The recitation of the Thekas of Ektala and Chautala with Dugan keeping Taal with hand beats.

3. Ability to sing Aaroha, Avaroha, Pakar and simple Svara Vistar with Alap and Tal in the prescribed ragas.

4. Ability to recognise the prescribed Ragas from the passages of Swaras rendered by the examiner.

(B) Hindustani (Instrumental Melodic)

I. Theory
Time: 3 hours
Maximum Marks: 30

1. Definition of the following :—
Nad, Shruti, Svara, Raga, Mela (Thata) Classification of ragas, Anibadha-Nibadha-gana.

2. Description of the ragas prescribed for Class XI.

3. Contribution and short life sketch of Tansen, Sadaranga Pt. Bhartkhande and Pt. Vishnu Digamber Paluskar.

4. Brief history of Dhrupada and Khayal

5. Writing in Notation of songs and Taals prescribed for Class XI.

II. Practical Activities

1. (a) One Razakhani gat with simple elaborations in Alhaiyya-Bilawal, Durga, Jounpuri, and
(b) One composition in Raga Kaafi.

2. Ability to play, Aaroha, Avaroha, Pakar, simple Swara—Vistars with Alap and Todas in the prescribed
ragas.


3. Ability to recite the Thekas of Ek Tala and Choutala with Dugun Keeping tala with hand beats.

4. Ability to recognise the prescribed ragas from the passages of Swaras song played by the examiner.

(C) Hindustani—(Instrumental Percussion)
(Tabla or Pakhawaj)

I. Theory
Time: 3 hours
Maximum Marks: 30

1. Definition of the following term :—

Nada, Shruti, Savara, Raga, Kayada, Mukhra, Mohra, Tihai, Paran, Anibadha and Nibhada gana, Laya (Vilambit, Madhya Draut), Layakari (Dugum, Teegun, Chaugum), Bole, Paduant, Gat.

2. Description of the talas prescribed for Class XI.

3. Contribution and life sketch of Taansen, Sadarang and Pt. Vishnu Digamber Paluskar.

4. Brief history of Dhrupad and Khayal.

5. Recognition of talas from given portion of the Thekas.

6. Writing of Notation of the prescribed talas in Tihai and dugun.


II. Practical Activities
Maximum Marks: 70

1. Playing of the Thekas Technical and Ektal with simple elaborations.
2. Playing of the Theka of the following talas on Tabla with Dugun and Chaugun :—
Teentaal and Ektal.
3. Simple Peshkars 2 Kaydas and a few Tukdras and in Teentaal and Ektal.

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