Himachal Pradesh Board Dance Syllabus for Class 11


Himachal Pradesh Board Syllabus for Class 11 Dance

Dance

(A) Kathak Dance

I. Theory Paper
Time: 3hours
Maximum Marks: 30

1. A brief history of Indian dance and Indian Traditional Dance Drama.
2. Acquaintance with the themes of Ramayana, Mahabharta, Panchtantra, Bhagavata Purana and Geeta Govinda. Acquaintance with other myths & legends pertinent to the Dance and Dance forms.
3. A history of the Kathak Dance.
4. Acquaintance with its repertoire and literary contents.

II. One Practical Paper
Maximum Marks: 70

1. Practice of basic standing, sitting positions.
2. Practice of exercises different parts of the human body particularly head, neck, shoulders, arms, chest, waist, hips, thighs, knees, shanks, ankles, feet.
3. Practice of different movements of the eyes, hands and face.
4. Practice of Titkara to teentala in the following lays : Tthaat, Dugun.
5. The students should know the following composition:
(i) Tthaat
(ii) Aamad
(iii) Fas Aamad
(iv) Vanda
(v) Tokra/Tora
(vi) Natwari Ka Tukra
(vii) Gatnikas
(viii) Gatbhav
(ix) Paran
(x) Tihayee
(xi) Lar/Laya Baant
(xii) Parhant of Tukra Toda, Paran learnt with Tala


(B) Bharatnatyam Dance

I. Theory Paper
Time: 3 hours
Maximum Marks: 30

1. A brief history of Indian Dance and Indian Traditional Dance-Drama.
2. Acquaintance with the themes of Ramayana, Mahabharata, Panchatantra, Bhagavata Purana and Geeta Govinda. Acquaintance with other myths and legends pertinent to the Dance form.
3. A history of Bharatnatyam.
4. Acquaintance with its repertoire and literacy contents.

II. Practical Paper
Maximum Marks: 70

1. Practice of basic standing, sitting positions.
2. Practice of exercises of different parts of the human body particularly head, neck, shoulders, arms, chest, waist, hips, thighs, knees, shanks, ankles, feet.
3. Practice of different movement of the eyes, hands and face.
4. Aadvus in Trikala :
(i) Tattu adavus
(ii) Nattu adavus
(iii) Te tei tei ta adavus
(iv) Kudittu mettu adavus
(v) Tei ya teiyi standing adavus
(vi) Tat tei to ha adavus
(vii) Tat tei tam adavus
(viii) Kattia adavu and allied utplavana adavus
(ix) Tadhinginatom
(x) Kitatakatankita tom.
(xi) Mandi adavus
(xii) Sarukkal adavu
(xiii) Simple Korvais (combinations) in Adi talam
(xiv) Gati—Simple forward and backward gaits
(xv) Alarippu—Tisram
(xvi) Tala—Adi talam and Rupaka talam with clapping and ability to repeat the adavu syllables in trikala in aditalam.

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